NEW YORK, NEW YORK - DECEMBER 2009: API is now shipping the 527 compressor, a single channel module based on API’s 225L discreet channel compressor. The 527 features comprehensive controls including variable attack, release, ratio, and output gain controls. The unit also includes API’s patented ‘Thrust’ circuit, first offered on the 2500 stereo bus compressor. A ten segment LED meter is switchable between gain reduction and output level.
“Anyone who has used the 225L compressor found in API consoles has expressed a longing for the same kind of flexibility and control in the 500 Series for some time,” said Larry Droppa, president of API. “We’re delighted to now offer the 527 to complement our vintage 525 compressor, which has been many engineers’ favorite compressor over the years.” MSRP: $995.00.
ABOUT API (AUTOMATED PROCESSES, INC.) Automated Processes, Inc. remains the leader in more
NEW YORK, NEW YORK - DECEMBER 2009: API is now shipping the 527 compressor, a single channel module based on API’s 225L discreet channel compressor. The 527 features comprehensive controls including variable attack, release, ratio, and output gain controls. The unit also includes API’s patented ‘Thrust’ circuit, first offered on the 2500 stereo bus compressor. A ten segment LED meter is switchable between gain reduction and output level.
“Anyone who has used the 225L compressor found in API consoles has expressed a longing for the same kind of flexibility and control in the 500 Series for some time,” said Larry Droppa, president of API. “We’re delighted to now offer the 527 to complement our vintage 525 compressor, which has been many engineers’ favorite compressor over the years.” MSRP: $995.00.
ABOUT API (AUTOMATED PROCESSES, INC.) Automated Processes, Inc. remains the leader in more
JESSUP, MARYLAND - DECEMBER 2009: JDK Audio, the new brand developed and engineered by legendary analog innovator API, announces the fourth product in its line of robust signal processing equipment. The R22 is a two-channel, rack-mount compressor with linkable stereo operation that uses true RMS power summing, a patented Thrust circuit for chest-hitting low-end, and easy to use, refreshingly musical control of all parameters. JDK Audio will formally introduce the R22 compressor at the 2010 Winter NAMM Show in Anaheim, California at API Booth #6411. Visitors will have the opportunity to listen to multitrack material through the new R22 and other JDK gear at the JDK listening station.
The R22 interconnects with both balanced XLR and quarter-inch inputs and outputs. Because the R22 has LED indicators and switchable analog metering of the output level and gain reduction, it’s easy to optimize gain more
JESSUP, MARYLAND - DECEMBER 2009: JDK Audio, the new brand developed and engineered by legendary analog innovator API, announces the fourth product in its line of robust signal processing equipment. The R22 is a two-channel, rack-mount compressor with linkable stereo operation that uses true RMS power summing, a patented Thrust circuit for chest-hitting low-end, and easy to use, refreshingly musical control of all parameters. JDK Audio will formally introduce the R22 compressor at the 2010 Winter NAMM Show in Anaheim, California at API Booth #6411. Visitors will have the opportunity to listen to multitrack material through the new R22 and other JDK gear at the JDK listening station.
The R22 interconnects with both balanced XLR and quarter-inch inputs and outputs. Because the R22 has LED indicators and switchable analog metering of the output level and gain reduction, it’s easy to optimize gain more
JESSUP, MARYLAND - DECEMBER 2009: API is pleased to invite all NAMM attendees to stop by Booth #6411 and enter a drawing to win a free JDK Audio R22 Compressor. Winners will be chosen by random drawing at the end of the day on Friday, Saturday and Sunday. A total of three lucky winners will each receive a JDK Audio R22 Compressor. Winners need not be present to win. JDK Audio is an entirely new brand developed, engineered and made in America by API (Automated Processes, Inc.) that captures the essence of vintage electronic design.
The new R22 is a two-channel rack-mount compressor with linkable stereo operation that uses true RMS power summing, API’s patented Thrust circuit for chest-hitting low-end, and easy to use, refreshingly musical control of all parameters. Visitors to the booth will have the opportunity to listen to multitrack more
LAS VEGAS, NEVADA - DECEMBER 2009: Tonelux rack-mounted gear, which is exclusively distributed worldwide by TransAudio Group, will introduce its new TILT eight-channel tone control at the NAMM Show in Anaheim, California in January 2010. The innovative TILT control, designed by Tonelux founder Paul Wolff, rebalances a channel’s high- and low-frequency content via a single knob, and was first featured on the company’s MP1a discrete mic preamp module.
Centered on approximately 700 Hz, the TILT control knob boosts high frequencies from 0 dB to 6 dB while simultaneously cutting low frequencies by the same amount when turned fully to the right. When turned to the left, low frequencies are boosted by up to 6 dB while high frequencies are similarly cut. This allows a user to conveniently alter the EQ of a track to better fit into the mix using a single more
LAS VEGAS, NEVADA - DECEMBER 2009: Tonelux rack-mounted gear, which is exclusively distributed worldwide by TransAudio Group, will introduce its new TILT eight-channel tone control at the NAMM Show in Anaheim, California in January 2010. The innovative TILT control, designed by Tonelux founder Paul Wolff, rebalances a channel’s high- and low-frequency content via a single knob, and was first featured on the company’s MP1a discrete mic preamp module.
Centered on approximately 700 Hz, the TILT control knob boosts high frequencies from 0 dB to 6 dB while simultaneously cutting low frequencies by the same amount when turned fully to the right. When turned to the left, low frequencies are boosted by up to 6 dB while high frequencies are similarly cut. This allows a user to conveniently alter the EQ of a track to better fit into the mix using a single more
VECTOR 3 ENHANCES INTEGRATION WITH XENDATA ARCHIVING SOLUTIONS
All-in-one VectorBox and New Vector MultiPlay product lines add even more control to automated content distribution
Barcelona, Spain – December 22, 2009 – Vector 3™, a pioneer in graphics and playout solutions, announced an advanced level of integration with XenData archiving systems. Vector 3’s flexible administration now supports the automation of content to and from XenData archive systems whether Vector is ingesting content directly to the archive, staging it for playout, or migrating files for offline storage. The new capabilities provide an accelerated content distribution workflow, critical for news and sports production environments.
“XenData technology is a multi-purpose archive solution. Our systems can be configured to simultaneously support multiple workflows, including production, playout and backup. Vector connecting deeper into the XenData systems means that content utilized by multiple groups will become more readily available to the distribution chain,” said more
LAS VEGAS, NEVADA - DECEMBER 2009: With the introduction of the PT2-500 mic pre and DI, TRUE Systems continues its contortionist legacy of packing immense-sounding microphone preamplification into infinitesimal spaces. Descendant of the TRUE Systems Precision 8, which squeezes eight audiophile-grade preamps into a single rack space, the diminutive PT2-500 conforms to the modular 500 Series format. Like all the other preamps in the TRUE Systems family, the PT2-500 delivers stunning detail, rich analog depth, and a robust, reliable design. But the PT2-500 is 500 module sized, for audio professionals who want everything in a rack ready to use, over and over again without buying additional power supplies and multiple racks.
The PT2-500 features up to 70 dB of high-headroom, low-noise microphone gain. An exceptionally high-quality direct input (DI) calms edgy piezos and provides a THRU jack for amping or effects. Switchable more
LAS VEGAS, NEVADA - DECEMBER 2009: With the introduction of the PT2-500 mic pre and DI, TRUE Systems continues its contortionist legacy of packing immense-sounding microphone preamplification into infinitesimal spaces. Descendant of the TRUE Systems Precision 8, which squeezes eight audiophile-grade preamps into a single rack space, the diminutive PT2-500 conforms to the modular 500 Series format. Like all the other preamps in the TRUE Systems family, the PT2-500 delivers stunning detail, rich analog depth, and a robust, reliable design. But the PT2-500 is 500 module sized, for audio professionals who want everything in a rack ready to use, over and over again without buying additional power supplies and multiple racks.
The PT2-500 features up to 70 dB of high-headroom, low-noise microphone gain. An exceptionally high-quality direct input (DI) calms edgy piezos and provides a THRU jack for amping or effects. Switchable more
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