New 500-Watt Product Powers Sony F23 and F35 Digital Cameras
LAS VEGAS, NV, April 8, 2009 – Continuing its mission to provide reliable power supplies for the high-end video camera market, Anton/Bauer, a brand of The Vitec Group, and the world’s premier provider of professional broadcast, video and film camera batteries, chargers, lighting and other mobile power systems, is proud to introduce its new DT-500™ 500-watt power supply at NAB 2009 (Booth C6021). This unique product is the only power supply of its kind designed to meet the power requirements of high-end Sony F23 and F35 HD cameras. more
New 500-Watt Product Powers Sony F23 and F35 Digital Cameras
LAS VEGAS, NV, April 8, 2009 – Continuing its mission to provide reliable power supplies for the high-end video camera market, Anton/Bauer, a brand of The Vitec Group, and the world’s premier provider of professional broadcast, video and film camera batteries, chargers, lighting and other mobile power systems, is proud to introduce its new DT-500™ 500-watt power supply at NAB 2009 (Booth C6021). This unique product is the only power supply of its kind designed to meet the power requirements of high-end Sony F23 and F35 HD cameras. more
ALAMEDA, CALIFORNIA, APRIL 8, 2009 - Clear-Com Communication Systems, a Vitec Group brand, will demonstrate for the first time at NAB 2009 (Booth C6521) a direct link from its IP-Enabled V-Series panels to the Eclipse digital matrix intercom frames over an existing WAN or LAN Ethernet connection. This new connectivity option, available for all new and existing V-Series panels, allows broadcasters to establish intercom communications in locations where direct cabling is lacking by employing the existing local IT infrastructure, making it simple and affordable to expand intercom access. more
RTÉ Upgrades Studios with Ross Technology in Dublin and Galway
Iroquois, ON Canada – April 8, 2009 – RTÉ, Ireland’s National Television and Radio Broadcaster invested in Ross technology with Vision QMD/X Multi-Definition Production Switchers and OverDrive Automated Production Control Systems for recent studio upgrades.
RTÉ issued an EU tender for news automation production control systems for their two broadcast facilities in Dublin and Galway. Eurotek, a leading Irish broadcast dealer and SI more
A new Heineken Experience opened at the historic Heineken Brewery in Amsterdam at the beginning of December 2008. Designed and produced by BRC Imagination Arts, the re-designed visitor experience makes extensive use of specially produced high definition video programmes. Electrosonic’s UK office, www.electrosonic.com, was appointed by BRC, www.brcweb.com, as its principal sub-contractor for audio-visual systems integration.
The re-designed visitor experience seeks to draw its audience deep into the world of more
~Free Shipping Available on All Orders of Auralex’s Acoustical Treatments~
INDIANAPOLIS, IN, APRIL 8, 2009 — As Auralex Acoustics continues to expand its business, the company’s pro audio acoustical treatments are now available through online consumer retail giant, Amazon.com. Auralex is now Amazon.com’s preferred acoustical treatment providers, offering its complete line of pro audio acoustical products, for immediate shipping, with the added benefit of FREE Super Saver shipping on all Amazon.com orders of $25 or more. more
ONTARIO, CANADA, APRIL 8, 2009 — As NBA teams duke it out for their spot in the playoffs, ESPN is there every step of the way to make sure no one misses a moment of the action. A new addition to one of the ESPN team’s audio systems, Holophone’s H2-PRO surround microphone, is helping to bring the excitement of being in the stands to fans at home. more
QVC®, one of the largest multimedia retailers in the world, is continuing its upgrade to tapeless high-definition production, installing Sony’s XDCAM HD422 PDW-HD1500 optical decks in the control room at its Studio Park headquarters, located in West Chester, Pa. The network will primarily use the decks for the production of its live broadcast.
“We chose this technology to help increase the speed of our workflow and make our operations much more efficient,” said Greg Gialloreto, QVC’s director of production and show support engineering. “The resiliency of the decks was also very critical; it was imperative to obtain technology that could withstand our live operating schedule, with no down time.”
The network said it will use the newer PDW-HD1500 decks to enhance QVC’s control room operations, allowing its 50 operators to realize a seamless transition from the remaining Digital Betacam® equipment currently in use.
QVC®, one of the largest multimedia retailers in the world, is continuing its upgrade to tapeless high-definition production, installing Sony’s XDCAM HD422 PDW-HD1500 optical decks in the control room at its Studio Park headquarters, located in West Chester, Pa. The network will primarily use the decks for the production of its live broadcast.
“We chose this technology to help increase the speed of our workflow and make our operations much more efficient,” said Greg Gialloreto, QVC’s director of production and show support engineering. “The resiliency of the decks was also very critical; it was imperative to obtain technology that could withstand our live operating schedule, with no down time.”
The network said it will use the newer PDW-HD1500 decks to enhance QVC’s control room operations, allowing its 50 operators to realize a seamless transition from the remaining Digital Betacam® equipment currently in use.
Representatives from the French broadcast, cable, satellite and post production industries are invited to attend a special seminar that will address the serious issues of loudness and peak level control in the broadcast chain.
Hosted by distributor 44.1 on behalf of dynamics processing specialist Jünger Audio, the seminar will take place at 2.30 pm on May 11th at the Concorde Lafayette Hotel in Porte Maillot, Paris.
44.1 Director Paul-Henri Wagner says: “Programme suppliers are well aware of the problems caused by surprise level changes when switching from one source to another. They are also equally aware of the annoyance this causes for viewers who have to rely on their remote more
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