Archive for the ‘Products’ Category

Zero Creative offers 3-D conversion service

Last year, Zero Creative launched its 2-D to 3-D conversion service for autostereoscopic 3-D displays (glasses free), such as its own xyZ 3-D display. Now, the company has introduced the capability to convert any existing 2-D content into full stereoscopic 3-D.

The service is divided in three different quality levels: basic, high and extreme. In all cases, video content is converted on manual frame-by-frame bases instead of automated processes. This approach results in a highly accurate 3-D conversion and reduces errors, according to the company. The quality levels determine the differences in 3-D perception, and, at the extreme quality, extra optical handmade image correction or additional special 3-D effects can be employed. Read the rest of this entry »

Addressing the issue of 3-D camera positions

The prototype PACE Shadow-D rig is mounted on top of a box-style lens and allows a single operator to shoot both 2-D and 3-D simultaneously.

The prototype PACE Shadow-D rig is mounted on top of a box-style lens and allows a single operator to shoot both 2-D and 3-D simultaneously.

As more live productions begin to be shot in 3-D, the issue of where to place the cameras around a venue so as not to interfere with the existing 2-D positions — and not block any fan seating — is being looked at from several angles. Several live sports and entertainment productions to date have provided invaluable experience in how to make 3-D look its best (e.g., 3-D cameras should be positioned as close to the field as possible to immerse the viewer in the action).

At the 2010 NAB Show, there were “beam splitter” rigs, with one camera shooting horizontally from the back of a dual-lens configuration and the other shooting vertically from the top or bottom. Some refer to it as the “half-mirror, 90-degree approach.” The latter, displayed in the Ikegami Electronics booth, is designed to maintain the lowest profile for the camera position (and save some sight lines). Read the rest of this entry »

No one wants to be left behind in 3-D

John Honeycutt, executive vice president and head of international business operations for Discovery International, described the Panasonic AG-3DA1 3-D camcorder as a tool to be used extensively (and cost-effectively). He also called a new concept camera from Sony “the future.”

John Honeycutt, executive vice president and head of international business operations for Discovery International, described the Panasonic AG-3DA1 3-D camcorder as a tool to be used extensively (and cost-effectively). He also called a new concept camera from Sony “the future.”

From the vendors selling 3-D equipment to buyers on the fast track to purchase it, NAB came back to life this year after last year’s economic meltdown. Whether 3-D succeeds in the long term or not, major broadcasters are fearful of being left behind.

One example is Turner Broadcasting, who is “moving full speed ahead” on 3-D technology, said Ron Tarasoff, Turner’s vice president of broadcast technology and engineering. He said Turner sees 3-D as a viable way of transmitting TV in the future.

Today, most of Turner’s work involves equipment testing as the 3-D standards bodies consider setting future standards. “There are many different possibilities in how you produce and distribute content in 3-D,” Tarasoff said. “We need to look very carefully at what will help us with 3-D delivery. We’re almost at the same point we were many years ago with HD. There’s this big push toward 3-D, and there’s very little 3-D equipment out there. There are still many different possibilities in how you produce and distribute content in 3-D.”

Also checking out 3-D gear was ESPN, who is committed to airing 85 events this year. Kevin Stolworthy, the network’s senior vice president of technology, said that at NAB he was looking for vendors with whom he was not familiar. “We think there’s going to be a lot more people out there with new 3-D equipment, software and production tools,” he said. Read the rest of this entry »

3-D + OLED = beautiful

TVLogic TDM-150W

TVLogic TDM-150W

I saw the future yesterday, and it is spectacular. TVLogic had the world’s first 3-D organic light-emitting diode (OLED) screen on display, and with a contrast ratio of 100,000:1 and brilliant colors, it looked downright delicious. Sure, it was only a 15in screen, but from little acorns mighty 3-D oaks grow. Even Sony had an OLED monitor, its PVM 740, in a darkened niche next to critical evaluation CRT and LCD designs at its exhibit, but it was only 7.4in. Apparently the manufacturing technology for making larger OLED screens is still being worked out, but many think these glorious gems of a display will be the future for not only the most demanding production work, but also as lightweight portable displays for the consumer market. Read the rest of this entry »

The 3-D Skeptic at NAB 2010

HDI plans to show its laser-driver 100in 3-D TV at NAB 2010.

HDI plans to show its laser-driven 100in 3-D TV at NAB 2010.

Arriving in Las Vegas, I was somewhat disappointed not to see the halls of the Convention Center floating above the desert skyline like the Hallelujah Mountains in Avatar. The preshow hype of “This is the year of 3-D” has become a mantra for NAB 2010 with the hope of revitalizing equipment providers’ bottom lines with a rush into home-delivered 3-D as powerful as the HDTV onslaught. Maybe, maybe not. Read the rest of this entry »

Incompatible glasses could slow adoption of 3-D in the home

XpanD, a European manufacturer that makes active-shutter glasses for movie theaters, as well as 3-D glasses for Panasonic and Vizio TV sets, is developing universal glasses that will work across manufacturer lines.

XpanD, a European manufacturer that makes active-shutter glasses for movie theaters, as well as 3-D glasses for Panasonic and Vizio TV sets, is developing universal glasses that will work across manufacturer lines.

One of the negatives of 3-D TV is that viewers must always wear special glasses to view the three-dimensional effect. But one “gotcha” that most viewers don’t know yet is that virtually all of the glasses being packaged with early 3-D TV sets are proprietary to the manufacturer’s brand.

That means 3-D glasses sold by Samsung won’t work with Panasonic, Sony or other set brands. Forget bringing your 3-D glasses to a viewing party for a sporting event at the home of a friend using a different kind of 3-D display.

The cheap, polarized spectacles required to view 3-D in movie theaters won’t work at home, either. Most of the new 3-D receivers require “active-shutter” glasses that have to electronically synchronize with the TV set.

Read the rest of this entry »

3-D display without glasses now available

Aside from its new 3-D TV sets, Sunny Ocean Studios claims it can retrofit regular displays for 3-D and also assist in 2-D-to-3-D image conversion.

Aside from its new 3-D TV sets, Sunny Ocean Studios claims it can retrofit regular displays for 3-D and also assist in 2-D-to-3-D image conversion.

Following predictions at this year’s CES that it would take many years to create affordable 3-D video displays without glasses, Sunny Ocean Studios of Singapore has introduced a 27inch 3-D HDTV offering 64 viewing angles without glasses.

A serious upgrade from eight or nine viewing angles and lenticular displays shown at CES, Sunny Ocean Studios claims it can retrofit regular displays for 3-D and also assist in 2-D-to-3-D image conversion. Where most companies offer stereoscopic 3-D, which uses glasses, Sunny Ocean is pushing auto-stereoscopic, which is glasses-free 3-D.

“We are presenting a solution where the image appears to float spatially in front of the screen without the help of the usual aids like 3-D glasses,” said Armin Grasnick, founder and managing director of Sunny Ocean Studios. Read the rest of this entry »